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超級理想建筑工作室-Part group
2024/11/04
作者

這種對未來的開放態度,使畫廊不僅僅是一個展示場所,更成為了一個不斷對話、互動和進化的平臺。在這種環境下,藝術、觀眾和空間的關系得以重新定義,延展出更多的可能。

1


??STUDIO FANG


P .art Group公司新址遷至坐落于蘇河灣濱水藝術走廊的地標建筑蘇河皓司(SUHE HAUS——原為建于1931年的中國實業銀行倉庫,上海市優秀歷史建筑,承載著海派文化底蘊和Art Deco建筑外觀歷史建筑文化煥活。

 

P.art Group moved to the new address of SUHE HAUS, a landmark building located in the Suhewan Waterfront Art Corridor. It was originally a warehouse of the Industrial Bank of China built in 1931. It is an outstanding historical building in Shanghai, carrying the cultural heritage of Shanghai style and the appearance of Art Deco architecture. The historical architectural culture has been revitalized.

 

我們希望通過新舊元素的融合,創造了一個既保留歷史特質,又具有高度靈活性和適應性的展示空間。 保留建筑核心結構的同時,運用了簡潔的現代設計語言,為空間賦予了新的生命,回應當代藝術多樣化的需求。

 

We hope to create a display space that retains historical characteristics and is highly flexible and adaptable through the integration of new and old elements. While retaining the core structure of the building, a simple modern design language is used to give new life to the space and respond to the diverse needs of contemporary art.

 

 

歷史與現代的共鳴

Resonance of history and modernity

 

 


??STUDIO FANG


設計概念成形于歷史與現代元素的對話。粗獷的混凝土柱子成為空間設計的視覺焦點,時刻提醒著人們這里深厚的歷史底蘊。我們采用取巧的辦法,運用干凈的線條和簡單的材料,既保留了歷史建筑的個性,又注入了當代藝術氛圍。這一設計不同于傳統修復和裝飾方式,通過展現原有結構強調了建筑的原始狀態,并為空間賦予了新的生命與美學表達。

 

The design concept is formed by the dialogue between historical and modern elements. The rough concrete columns become the visual focus of the space design, reminding people of the deep historical heritage here at all times. We use a clever method, using clean lines and simple materials to retain the personality of the historical building and inject a contemporary art atmosphere. This design is different from traditional restoration and decoration methods. It emphasizes the original state of the building by showing the original structure and gives the space new life and aesthetic expression.

 

 

靈活的空間布局

Flexible space layout

 

 

??STUDIO FANG


該畫廊具備極高的靈活性,內部設有三個可移動的2x2米方盒子,這些方盒子不僅可以作為辦公區域,還能充當藝術品展示空間。這一設計打破了傳統畫廊中展示區與功能區的固定劃分,使得空間能夠根據不同的展示需求靈活調整,節省資源的同時,營造出動態的藝術氛圍。方盒子的靈活配置使得藝術展覽形式更加多樣,觀眾的動線也可以隨展覽內容變化,從而增強互動性和沉浸感。無論是小型藝術展覽還是大型裝置作品,這種靈活的布局方式都能為不同形式的展覽提供支持,讓藝術空間變得更加動態和開放。


The gallery is highly flexible, with three movable 2x2m boxes inside, which can be used not only as office areas but also as art exhibition spaces. This design breaks the fixed division of exhibition areas and functional areas in traditional galleries, allowing the space to be flexibly adjusted according to different exhibition needs, saving resources while creating a dynamic artistic atmosphere. The flexible configuration of the boxes makes the art exhibition more diverse, and the audience's movement lines can also change with the exhibition content, thereby enhancing interactivity and immersion. Whether it is a small art exhibition or a large installation, this flexible layout can support different forms of exhibitions, making the art space more dynamic and open.


 


 ??STUDIO FANG


該空間設計不僅賦予了策展人更大的創作自由,也為觀眾帶來了更多互動體驗。可移動的方盒子打破了傳統靜態展示模式的局限,觀眾每次進入展覽空間時,都會發現空間布局與展品位置的變化。這種設計強化了展覽與觀眾之間的互動關系,觀眾不僅是被動的欣賞者,更是空間動態變化中的參與者。

 

The space design not only gives curators greater creative freedom, but also brings more interactive experiences to the audience. The movable boxes break the limitations of the traditional static display mode. Every time the audience enters the exhibition space, they will find changes in the spatial layout and the location of the exhibits. This design strengthens the interactive relationship between the exhibition and the audience. The audience is not only a passive admirer, but also a participant in the dynamic changes of the space.

 

 

材料與美學的結合

Combination of materials and aesthetics

 

 

 ??STUDIO FANG


在材料選擇上,項目采用了簡約設計與低成本實踐,選擇裸露混凝土、鋼結構和透明玻璃等現代元素,既體現了現代建筑的質感,又與歷史建筑的原始狀態形成對話。這種低成本設計策略不僅實用高效,更在美學上保持了高品質感,為當代藝術的展示提供了全新的視角與可能性。

 

In terms of material selection, the project adopts simple design and low-cost practice, choosing modern elements such as exposed concrete, steel structure and transparent glass, which not only reflects the texture of modern architecture, but also forms a dialogue with the original state of historical buildings. This low-cost design strategy is not only practical and efficient, but also maintains a high sense of aesthetics, providing a new perspective and possibility for the display of contemporary art.

 


??STUDIO FANG



總結

Conclusion


 

我們希望P.art新址能突破一點點傳統的靜態空間模式,提出歷史與現代、功能與靈活性之間的平衡。三個可移動方盒子的設計為展覽形式帶來了更高的自由度,使策展人能夠根據具體的藝術需求靈活調整空間布局。不僅能適應當下不斷變化的藝術形式,還能提供更加互動和沉浸的觀展體驗。這種對未來的開放態度,使畫廊不僅僅是一個展示場所,更成為了一個不斷對話、互動和進化的平臺。在這種環境下,藝術、觀眾和空間的關系得以重新定義,延展出更多的可能。

 

We hope that the new P.art site can break through the traditional static space mode a little bit, and propose a balance between history and modernity, function and flexibility. The design of three movable square boxes brings a higher degree of freedom to the exhibition form, allowing curators to flexibly adjust the spatial layout according to specific artistic needs. Not only can it adapt to the ever-changing art forms of the moment, but also provide a more interactive and immersive exhibition experience. This open attitude towards the future makes the gallery not only a display venue, but also a platform for continuous dialogue, interaction and evolution. In this environment, the relationship between art, audience and space can be redefined, extending more possibilities.


立面圖


平面圖


剖面圖A


剖面圖B


生成式布局合并


小盒子分析



發文編輯/網站審核|楊思洋

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